Saturday 6 July 2019


Educated by Tara Westover: notes by Richard, thanks to others for sharing theirs.

BBBC Meeting:  Thursday, 4th July 2019, Flower and Forrester, Combe Down
Present: Richard (his book choice), Andrew, ChrisB, ChrisW, John, MarkT, MarkW, Steve, Willm.
Apols, score and notes received: MarkT,

Overall, this was a book almost universally appreciated - I hesitate to use the word ‘enjoyed’ as there is much that is not actually enjoyable in this memoir - but all were clear that this was a good book, and most thought it to be either very good or exceptional (in terms of scores, we had three in the 9s, 3 in the 8s, a 7.5, a 7.25 and a 6.6).  Almost everyone had a great deal to say about the book, and it generated quite a lot of discussion.  Most agreed that it was ‘a remarkable book’, and terms such as ‘I loved the book’, ‘it was an amazing book’, etc. abounded.

Many people stated that although they tended to prefer fiction, this book was an exception to that, being both extremely thought-provoking, and almost novel-like in its themes structure and exposition (in fact some queried whether or not it WAS factual, or was in fact a novel ….).

One of us summarised that this was a book about religion and faith, memory and truth, reality and sanity and perception, tyranny and power, abuse, guilt and shame, attachment and detachment, loyalty and love, and what makes up a person. – Quite a lot, really!

More Detail: all were agreed that this book was not about religion per se, but rather about
·         the power and devastating effect of early and regular abuse on later self-esteem and ability to move forwards in the world, even if one is actually resilient.
·         the power of various protective factors (such as her belief in the protectiveness of her mother, her relationship with Tyler, Tyler introducing her to music, the closeness and love from at least some of her grandparents, and her native intelligence) to assist resilience.
·         the power of education – not just academic education, although that in itself is very powerful, but what education IS: “Everything I had worked for, all my years of study, had been to purchase for myself this one privilege: to see and experience more truths than those given to me by my father, and to use those truths to construct my own mind. I had come to believe that the ability to evaluate many ideas, many histories, many points of view, was at the heart of what it means to self-create” – or to be educated.’
·         the unreliability of memory, and of how we all construct and reconstruct our memories, all of the time – as the author writes later in the book: “The future could be different from the past. Even the past could be different from the past, because my memories could change: I no longer remembered Mother listening in the kitchen while Shawn pinned me to the floor, pressing my windpipe. I no longer remembered her looking away.

It was agreed that this was quite an amazing account of an almost unbelievable journey, from a family that, as a child, she believed was right and which rejected everything society has developed for people’s benefit, however flawed and distorted at times; through the ‘slow-burn’ realisation that what she had experienced was oppression and abuse.  One clever writing device she uses is that the way she describes this journey means that the reader has to realise this in the same way that she starts to realise and accept it.

All were also agreed that both the writing, and the story she told, was compelling: accidents to the various children and adults and the graphic descriptions of the aftermaths - her burned brother, her burned father, the car-crash-injured family members; the physical and psychological abuse of and cruelty to Tara by Shawn; and much more.

All again were agreed that this was an honest and very readable account; that she writes exceptionally well, and has some lovely ways of describing and phrasing things: ‘easy to read, with fluent prose and some great turns of phrase’. This is true both for her descriptions of the physical environment, especially her ‘home mountain’, but also of the places such as Cambridge and Harvard where she studied, and in her turns of phrase, such as “Not knowing for certain, but refusing to give way to those who claim certainty”: a lovely phrase, and an important idea, for her in her journey and more generally.  It was felt that her writing held an air of innocence, possibly partly attributable to her having read so little of others’ and hence not being over-exposed to other influences – instead she wrote very conversationally, in a way very reflective of how people actually speak and think. ‘Effortless and unencumbered’.

It was felt that Tara told her life story so skilfully, she somehow allows us to both experience what she went through and yet disassociate from the worst parts, simultaneously, in the same way she did. She did this so seamlessly that it was only on stepping back one could realise what a brilliant writing technique it is: offering, in the same sentence, a narrative of what her future self came to understand was happening to her, and at the same time to relay perfectly how the young girl she was then, lived it.

There is a lot in this book (and this was an area which developed and got progressively larger) about the awful way that this (and many other religions and cultures – it was remarked that this was ‘The Handmaiden’s Tale writ large, in real life’) not only treat women, but also make them think and feel about themselves.  The whole set of descriptions about the use of the word ‘whore’ and the terrible double standards applied to men and women, about sex and sexuality and dress of course, but even more to how they are brainwashed into thinking about themselves.  As she writes: “I evolved a new understanding of the word “whore,” one that was less about actions and more about essence. It was not that I had done something wrong so much as that I existed in the wrong way. There was something impure in the fact of my being. “It’s strange how you give the people you love so much power over you”, I had written in my journal. But Shawn had more power over me than I could possibly have imagined. He had defined me to myself, and there’s no greater power than that.  There was an interesting discussion about the idea that it is in these ways that these religions and cultures create such terrible distorted self-images in their members, especially their female ones. Her description later of how she could not accept praise, or help was again very powerful: “I could tolerate any form of cruelty better than kindness. Praise was a poison to me; I choked on it. I wanted the professor to shout at me, wanted it so deeply I felt dizzy from the deprivation. The ugliness of me had to be given expression. If it was not expressed in his voice, I would need to express it in mine.

The Stockholm Syndrome was mentioned [https://en.wikipedia.org/wiki/Stockholm_syndrome; https://www.bbc.co.uk/news/magazine-22447726] as having great similarities to the impact that such long-term brainwashing has on people. Even later in Tara’s journey, when she tries to change things, she takes all the blame and responsibility for the fact that her family is being divided – it is her fault for raising the issue, not their fault for having done the things in the first place.  Indeed, the whole area of how she ‘rocked the boat’ and the ways that people responded to that, and then changed their responses, was extremely interesting and generated much comment, with many talking about the mother’s behaviour as being ‘a damning indictment’.  But on the other hand, Tara talks about why her mother failed to live up to what she had said she would do to support her: “But hers or not, those words, which had so comforted and healed me, were hollow. I don’t believe they were faithless, but sincerity failed to give them substance, and they were swept away by other, stronger currents.  So she was sincere, but that sincerity did not have any substance to it.

This upbringing created Tara, a person burdened by shame and guilt; not being able to make sense of things, how to reconcile her new and old lives - having to disconnect her university life from her life at home. And all of these conflicts were extremely stressful, and all underpinned by her feelings of having been let down by the very people she (and we) believe should be there to protect her, her parents: “We had been bruised and gashed and concussed, had our legs set on fire and our heads cut open. We had lived in a state of alert, a kind of constant terror, our brains flooding with cortisol because we knew that any of those things might happen at any moment. Because Dad always put faith before safety.”  Yet although her parents and brother not only do not protect Tara from danger and harm, they lead her into both; she persists in trying to stay part of the family and trying to fix things - years after she left home, she is still trying to win the love of her parents which they had still never given, and only grudgingly offer to her at the end of the book, and only with huge and unacceptable conditions attached.

Another generally agreed aspect was that, although the book was full of alarming and awful events and people and behaviours, it was very moving at times, with the author generally avoiding being sentimental or melodramatic.

There were also flashes of humour – her incredulity over Rosa Parks taking a seat on the bus, which puzzled her as it seemed an odd thing to steal – which also helped to leaven out the awful things.

Other elements that people liked were:
·         her descriptions of family and friends and tutors: you feel you really know them, especially, her mother and father, and Shawn, Audrey and Tyler.
·         the references throughout to music (and to performance), and the power of music to transcend some of the more awful elements – it was interesting that her father, so opposed to her going out into the community, embraced this when she either sang, or obtained parts in theatrical performances;
·         the intellectual power that was occasionally revealed, in a number of ways, but including her PhD and her choices about it: her PhD “didn’t treat Mormonism as the objective of human history, but neither did it discount the contribution Mormonism had made in grappling with the questions of the age. Instead, it treated the Mormon ideology as a chapter in the larger human story. In my account, history did not set Mormons apart from the rest of the human family; it bound them to it.  As one of us stated, this was her intellectual resolution: her mental resolution took longer.
·         the lack of trust in conventional medicine and the reliance on non-Western medicine, to an extreme degree – and how this then led to great wealth for the family;
·         the underpinning issues in all traditional or immigrant or minority religious communities: of conformity to tradition versus assimilation and ‘fitting in’ to the prevailing or surrounding culture, and of how difficult it is for parents to steer a course through these areas (or even if they should do so, versus instead embracing assimilation and the idea of the ‘melting pot’);
·         some of her throwaway observations, such as “I began to experience the most powerful advantage of money: the ability to think of things besides money”;
·         excellent descriptions of her various mental states as she battles with her family loyalty and recognition that she cannot have both emancipation and family life;
·         how in the USA it is possible to live ‘off grid’;
·         the rather amazing fact that, of the 7 siblings, three managed to escape, and all of those obtained PhDs, all with no formal education until the age of about 17. There was a discussion over whether education allowed them to escape, or whether they escaped and then found education (or some mix of the two), but it was clear that education was a key to her continued escape, as it is to so many others: she and her siblings who managed to get educated could leave the thrall of the family mores, but those who could not had neither the life chances nor the money to avoid employment in the family and hence acceptance of all it believes. In many ways, this book describes the nature of all extremists, told through a family story: no other view is worthy of consideration, because the “truth” is God’s truth, as told by the patriarch.

There were also a few areas which people were critical about, or were less wholeheartedly positive.
·         A few people raised the issue of sexual abuse, and found it unlikely that with so much physical abuse, in a situation where women were so badly treated, that there would not also be sexual abuse – and that in fact sex was a theme largely absent in the book.
·         A number felt that she was in some way ‘holding back’ all the way through, although it was unclear why that was.  It may have been due to sexual abuse; it may be that much of the book is a result of ‘false memory’ – and it was suggested that, in the same way as many of the ‘negative’ characters had been given pseudonyms, there might be a number of issues which the publishers had decided could not be included. One of use suggested that the book would have been gone over extremely carefully by lawyers, to remove various elements.
·         Others felt that, by virtue of it being a memoir, the part of a novel which is based on imagination was missed (although others suggested that maybe a lot of the book was fictional anyway!)
·         One of us felt that although the first half was compelling, gradually, the 2nd half became less so; and the ending appeared too trite.

Richard Velleman, July 2019